Friday 28 March 2014

1) In what ways does your media product use, develop or challenge forms and conventions of real media products?

Our film 'Consequences' is a British independent drama film with a sub-genre of crime, although this sub-genre is only suggested and not actually shown in the opening. While planning our film, we researched genre, narrative, form and style conventions associated with British drama, and in our opening we both conform to and challenge them.


Genre
In our opening there is a balance between British drama conventions that we conformed to and conventions that we challenged

Convention

Media text reference


Used or challenged?

Themes of crime
Bullet Boy – shows young characters involved in crime

Let Him Have It – follows the protagonist through the after effects of his crime and arrest
Used
Although crime is not actually shown in our opening sequence, it is made obvious the Dan is in serious trouble after being involved in illegal activity
Themes of Romance/relationships
Brighton Rock – the plot is based around the relationship between a gang member and a woman he meets
Used
Our opening shows the romantic relationship between the two main characters
Deals with sensitive issues (racism, sexism, drug abuse, physical abuse, etc)
Trainspotting – deals with drug addiction

East Is East – deals with racism
Challenged
In our film opening we decided to focus on the main elements of the story which are the characters’ lives and the crime they get involved in, so we didn’t include any of these more sensitive types of themes

Urban setting

Kidulthood – set in west London which can be seen behind the character

Attack the Block – set in south London, an urban environment
Used
Our sequence is set in a house and the streets of east London
Focus on working class
Fish Tank – Mia lives on a council estate, from a working class background

This Is England – characters from a working class background

Challenged
Our film focusses on the lives of teenagers from middle class backgrounds

Narrative
  • Our opening sequence follows Todorov's narrative theory in the following way:
  • Todorov's theory continues with a resolution and new equilibrium, and although this is not shown in the opening it comes later in the film. This type of narrative is common in many films of the drama genre, such as Attack the Block and Submarine.
  • Enigma codes were also used in our opening to set up questions like:
    • What exactly happened to Dan and why is he in trouble?
    • Who is Dan running from?
    • Who is Ryan?
    • Who is knocking on the door at the end?
  • Similar questions are set up in the opening of Trainspotting as the audience ask questions like 'why are the characters running from the police?'
Opening scene of Trainspotting

Form and Style
The form and style of a film is important for conveying the genre and feel of the film. We established our form and style using grading, titles and shot types.
  • After looking at other British drama films and TV programmes including Skins, Misfits, and Trainspotting, we decided on the features for our grading (shown below), as they seemed to be typical of the drama genre

  • Our titles are white, plain and simple, and fade in and out, similar to the titles used in British drama film This Is England. The titles are effective in crediting those involved in making the film, but at the same time to not take too much of the viewer's attention away from what is happening in the film.


  • We used varying shot types to make the sequence interesting and keep the audience's attention. This included:
    • Establishing shots
    • Close-ups
    • Wide shots
    • Over-the-shoulder shots













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