Here is our original storyboard from before our test shoot. We drew shots on post-it notes and stuck them onto a large sheet of sugar paper, allowing us to rearrange the order. Colour coding the shot ideas into distance meant that we could visually see if we were being too repetitive in shot types, using too many of a certain shot overall or just consecutively/in a short part of the sequence.
Many elements of our final sequence were taken directly from this, such as the knock on the door at the end with our characters looking up in fear. Other shots were used in our test shoot, some even working successfully but not making the final cut due to the running taking up too much time, like the start of the test shoot's edited sequence where the protagonist runs around the corner. We removed many of the facial close ups because we found them extremely difficult to shoot while running and the results of our attempts were ineffective.
Many elements of our final sequence were taken directly from this, such as the knock on the door at the end with our characters looking up in fear. Other shots were used in our test shoot, some even working successfully but not making the final cut due to the running taking up too much time, like the start of the test shoot's edited sequence where the protagonist runs around the corner. We removed many of the facial close ups because we found them extremely difficult to shoot while running and the results of our attempts were ineffective.
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